Monday, March 22, 2010

workshops

I have had a busy couple of weeks so haven't been posting much. I went to Sydney the weekend before last to teach a repeat of my armature and kozo workshop, I must have been busy, I hardly got my camera out at all, just managed these three pics, I did get a short video of the hand beating but have left that on the camera for the moment. We made shapes from cane then stretched gauze over preliminary to dipping in the vat, here is Sue clowning with her "hat".

And some of the beaters, it was very loud in that room for about half an hour!

I got to Sydney quite early on Friday and was met by Jill Elias who kindly showed me around several galleries in Waterloo, Paddington and Surry Hills (I think!). We saw a good range of works especially at the Danks Street Galleries, a complex with about five galleries.

After the workshop I caught up with my brother and family and stayed the night with him up north of Gosford, Techy and I caught the train back to Sydney the next afternoon and arrived just in time for me to go to the airport, I loved the train trip down to Sydney through forest and in some parts right on the waters edge.

My other brother picked me up at Melbourne Airport and we headed up to Echuca with my mother and sister for my father's cousin's funeral, it was good to catch up with that branch of the family just a pity it took a funeral to make it happen, we used to visit my second cousin quite regularily but haven't been for several years, must make the time!

The rest of the week passed in a blur then I was off to Bairnsdale for another workshop with the PAGE group (Paper Arts Gippsland East) This time I did get my camera out a few times so got quite a few photos. The workshop was organised by Margaret Mason a very experienced paper and book artist and she wanted me to do the armature workshop but she commented that the participants were'nt all papermakers so I should perhaps adapt the class accordingly. I decided that they might appreciate making a lantern like those in Helen Hiebert's book, Paper Illuminated, that took up the first day with quite a bit of time being taken up with cutting out the foamcore forms.

Some of the class with their forms ready to go, the cane has been cut, glued (or taped) and pinned to the foam forms.

Now the paper goes on, most decided to decorate their shapes.





The end of day one. I stayed with Margaret at Tambo Upper, had a nice look around the area when I got a bit lost on the way there and ended up about 10k past their place, the hills around are just beautiful, green and lush and the Tambo River is very pretty and has some stunning limestone cliffs. After the first day's class Margaret and I went down to Metung for a look and I just had to take these photos of an old tree stump on the edge of the lake.




I spent several hours on both Friday and Saturday nights looking through a small proportion of Margaret's extensive artist book collection, she has some wonderful pieces.

On day two we finished off the lightshades and made small candle shades by wrapping cane around a form and glueing tissue on, we made boat shapes and some random weave shapes which we draped paper over, either the Unrushi or tissue paper. The group got together at the end of the workshop for a group photo with their wares.


I decided to trial making a different shape using the same method as for the lampshades so I roughly drew a curved shape on the foamcore and cut eight copies, and two discs, one small and one large, I followed the rest of the instructions for the lightshade and here is what I ended up with along with my demonstration boat.

The last time Yabbers met was the Wednesday before I went to Sydney and we made the paper for our rainbow books. Beverly had beaten all the library board provided by members of yabbers and had dyed them in a range of colours. We started off with a yellow, blue and pink vat and they gradually changed to blue, pink and yellow as we added the different colours. I made three sets since a couple of our members were unable to attend and I was the quickest (maybe!). Here is a stack of three sets of sheets, ech of these sheets will be torn into three to form the pages of miniature books. We'll be doing some test bindings next month.


For those of you interested in book arts the University of the West of England has devised a canon of the artist book in the 21st Century which can be read and downloaded here.

Friday, March 5, 2010

Alcove and postcards

I spent last Wednesday on duty at the Alcove Art Shop and it gave me a chance to take some photos of my works there and to put together some samples of my latest books, photo albums with my favorite Apollo Bay image on them. The photos of the framed works didn't work brilliantly because of all the reflected light.


The Photo albums plus a closeup of the binding, the shells came from Dromana Beach and what luck they came with ready made holes.


I am sending some postcards to Singapore for exhibition in PameranPoskad 2010.

City One and Two cast handmade paper, acrylic and watercolour paint with verdigris wax.

City Three cast handmade paper, iron paint and rust. City Four cast handmade paper, shellac and graphite and acrylic paint.

Text cast handmade paper and mixed media Her heart cast handmade paper


Apollo Bay Minis One and Two Pulp painting and digital print

Craypots Postcard digital print on handmade paper. Cormorants Postcard digital print on handmade paper.

Monday, March 1, 2010

Montalto, Linden etc.

Had a great weekend starting off with a trip to the Peninsula for the Montalto Sculpture Show,
some terrific sculptures (including one by Andrew Wood our neice's husband) and such a lovely venue with the vines, the olives and the fabulous vege patch. We try to get down most years for the show which is well worth the visit. We also went for a walk along the beach at Shoreham before heading to Flinders for a coffee then home.

On Sunday we were going to a party in Albert Park so decided to fit in a visit to the Linden Postcard Show, it was mindblowing close to 2000 entries including one of Katy's and three of neice Josie's plus a few other names/work I recognised and and know. There were some fabulous works but too much to take in in one visit.

I spent a bit of time last week fiddling with this blog and my website, I worked out how to get the link to etsy and to set up a slideshow which is made up of old work. I removed everthing pre 2004 from my website but still like a lot of the pieces so moved many of them to my flickr site so 20 of them show up in the slideshow at the right.

Today is the closing date for the next IAPMA Bulletin so I'll be at the computer for the day, sorting through what I have and doing some editing, it is nearly midday and I haven't even started, anything to avoid work!

Monday, February 22, 2010

Sale and etsy

I was very excited to learn that I sold a piece at the Contemporary Art Society Exhibition on Herring Island, I don't know which one yet but both framed works that went in were quite old. I'm on duty on the afternoon of Saturday the 6th so will find out then. Any Melbourne readers should check out the exhibition, it is on for the next two weekends and you get the Parks Victoria punt over the Yarra from Como Landing, South Yarra. The Island itself is worth visiting, it's a great place for a picnic and there are sculptures all around the island.

My prize from the OWOH extravaganza arrived this morning, it is great thank you Wendy, it is a viscosity printing of Anne of Cleves and you can see how it, as well as the rest of the series, was done here.

I spent several hours over the weekend setting up an etsy shop but I haven't worked out how to get it to show up in my side panel yet, I'll work on that when I get another day, it took me hours just to set up and list five items.

I've spent a fair bit of this morning getting a CD ready to send to Korea for the Paper Road Exhibition, I find I spend so much time on documenting and filling out forms it doesn't leave much time for creating. These are the works I'm proposing for the Paper Road exhibition, you are allowed three entries.


Pardelot Four cyanotypes on kozo with Zoe Culbertson and Celine's Nest cotton paper and mixed plant fibre with blackwood wattle branch and twig.

Dreamcatcher One cane and kozo

I am also helping to plan the first Valda Quick Paper arts Biennial which will be held at the Access Gallery at Bundoora Homestead from 3- 21 November, we had our second meeting yesterday, I'll be writing more here as that progresses.

I should also say that today I posted off the two body books from my post last week to the Mermaid in the Attic so I'll look forward to seeing what magic Christina works on the books. The shell book was bought by Carol, I hope she enjoys it.

Wednesday, February 17, 2010

The winners are..and more

The winners of my OWOH giveaway were Barbara, Morgan and Regina all from the USA, I'll be sending off the prizes in the next day or so. Congratulations ladies! I was very lucky myself, I didn't get around to very many sites but I won Wendy Shortland's Anne of Cleves. I plan to continue my tour through blogs of those who kindly left comments on mine, I just got snowed under and only viewed about half.

I ran a workshop for the Calligraphy Society of Victoria last Sunday which went very well, it was basic Oriental binding, they've asked me back to run another one later in the year on one of the two books of mine that were in Eco Books, the exposed stitch with fabric covers and leather spine.

I am also preparing for two workshops later in March, one in Sydney and the other in Bairnsdale. The Sydney one is a repeat of the armature workshop I did for Papermakers of Victoria last year and the Bairnsdale on a variation on that without the papermaking aspect so I've decided to include some lightshades ala Helen Hiebert, I've made some models using unrushi that I'll be supplying to the class and one from cyanotyped hanji.



I seem to have a bit of a blue thing going on here, not sure why except that the blue and white unrushi were cheaper than a lot of the other colours and I figured my first one should be the most expendible. I used straight EVA (like PVA glue) on the blue one and feel that you can see it through the paper so for the white I mixed EVA with cornflour paste and it is much less obvious.

I have also just about finished the A2 pieces I showed wet in my last post, they dried a lot paler so added some black later to boost up the shadows. I did two of each though I haven't finished the second craypot picture. My two cormorant pictures ended up with the horizon in different places so needed the birds different sizes here they are.

Resting Cormorants 1

Resting Cormorants 2

Apollo Bay Craypots 1