Showing posts with label rainbow. Show all posts
Showing posts with label rainbow. Show all posts

Wednesday, June 10, 2020

Rainbows in Lockdown

 It has been over a year since I last posted and one of the first things I said I'd do was to update my website, sorry that hasn't happened yet and I've had three months!!!
I'm posting this here as an addition to the Papermakers of Victoria magazine The Deckle Edge. I wrote an article about making some rainbow paper but there wasn't room for all the images so here is the article with all the images:-

Rainbows and light


When Anne Pitkethly threw out the challenge to put a paper rainbow in my window I accepted and broke up a batch of recycled letterpress paper into five lots. I dyed them red, yellow, green, blue and purple. I made my rainbow on a mould by pouring the pulp and couching onto a readymade sheet of paper. I then had lots of coloured pulp left over and I made some sheets with a watermark of my old school motto ‘Respice Lucem’ that means ‘Look to the light’. I already had the text cut out of waterproof cloth tape and stuck to fibreglass fly screen that fits on a mould the right size to fit one of the small lamps from IKEA. 

I needed an A3 sized vat for those sheets and was able to pull two of each colour before I drained the vat and started again with the next colour. I have put the watermarked sheets in my window along with my teddy bear and my pulp painted rainbow. I can read look to the light from the inside it could be interesting to see how lightfast the dyes are.


After emptying the vats I still had quite a bit of the coloured pulp left so thought I’d try some pulp marbling. I first learned about this technique from Christine Ballinger at the IAPMA Congress in Adelaide in 1998 and had only used it once before when I was doing a lot of floral pulp paintings and I made a vase using the technique.  What you need is formation aid and although I haven’t tried it you might be able to use okra or prickly pear. Have water and formation aid in a vat deep enough to cover the mesh of your mould but not so deep that it covers the deckle.

Weigh down the deckle so that it doesn’t float off. Mix some formation aid and water with your pulp so that it has the consistency of pouring cream; use a sauce bottle, turkey baster or slip trailer (ceramic tool) to pour the pulp onto the mould.


Once you have coverage you can use a skewer to move the pulp around.  








When happy with the result couch the sheet, then to support it couch another sheet on top or do as I did and couch onto a readymade sheet.

The dry sheet

Friday, July 23, 2010

Yabbers and preparations



Rainbow Book - Greek Binding

























We spent a day at Yabbers a while ago making this rainbow paper. Beverley had prepared about 20 icecream tubs of recycled archival board that she had dyed different colours and we had three vats going at once. One started yellow and ended up blue, one started pink and ended up yellow and one started blue and ended up pink.
We are going to put the books, which are miniature (7 cm cubed), in the Valda Quick Biennial Paper Arts exhibition which will be held at the end of the year in Bundoora. Each of us will be doing a different binding.

Last week at Yabbers we worked through Keith Smith's instructions for Greek Binding, I chose to use five different coloured threads to go with the rainbow look. Most of the thread is some hemp that I bought at Victoria Market a couple of months ago. It is described as beading thread but it is really too thick for most sewing. I have found that it splits quite easily and for this small book I used four strands which I waxed so that they held together well. This is such a clear photo of the stitches you can see that I got a little lost with some of the overlapping stitches in the middle.

Since last week I have been doing some preparation for the class that I'm teaching at the Geelong Textile event Fibres Geelong. The class is called Brazen Breastplates and the subtitle is Colour and Texture in Handmade Paper.
I have made a whole lot of textured samples and have started some of the treatments on them.
Graphite and Shellac first coat

wax crayon and shellac
irridescent medium
watercolour (will get irridescent medium)
first stage of verdigris wax (acrylic paint)
untreated
Collage Paste Paper
I used some of the red paste paper to cover my sample for the bookbinding class tomorrow, a W Binding or binding onto a concertina.