More books and another class

I start another class at St Steven's in Ringwood next Saturday 24 July, this time we are doing Coptic/Celtic, W binding, piano hinge and sewing onto tapes.




These are the books I made with the rusted papers I talked about in my last post, I already had the handmade paper I used for the covers. I had couched a doily onto recycled paper then rusted and splashed with a little indigo. I coated the covers with shellac to seal the paper and make the covers more resilient.

 This one I made with the silk I attached to shoji paper some time ago. The lining is a photocopy of the silk onto handmade recycled paper.

These are some paper I made in a workshop with Amanda Degener using walnut dye and indigo on flax paper.

The paper in this one is a sample of solar printing and once again the lining is a photocopy of the cover. All of these are variations on two needle Coptic and Celtic binding, many with hemp thread and apart from the rusted books the paper inside is Hannemuhle, they are now all for sale at Tussock in Point Lonsdale.

I have been working on a few other things since my last post, most notably a custom made box for a Nick Mount perfume bottle, the perfume is called tarantella and is made by Tommi Sooni.

This is it nearly finished, I needed to change the closing mechanism for the doors but it is now in its new home.

 

The other things I've been working on are a book for the Atlas exhibition at Artisan Books and an exquisite palette for a show at St Luke's. I have used well beaten ginger lily for both pieces and for the palette piece I dyed it red, yellow and blue and worked from one colour to the next. These are the left over sheets from the first batch, I love the way they sit together. I have plans for the sheets but I don't like separating them they look so good in a stack. I used the uncoloured ginger lily paper in my piece for Atlas and I was finally able to use an A2 pulp painting that I dropped on the ground.

The artist statement had to be 20 words so here is mine The god Atlas stands in the landscape holding up a world made from an atlas.

 

Fungi and Glen Skien

Sorry for the delay in posting this the workshop was nearly a month ago and I have been meaning to post but have run out of time each time I get to the computer. Anyway the workshop was terriffic AND I have produced something that I'm happy with. I had decided that my theme would be fungi so I had lots of photos of different fungi from my garden and one particular variety got very large so I made some paper from them without cooking just blending the fibre. I did this about four days before the workshop then the day before tried to peel the fungi paper off the cloths. The fibres were so short it would only come off in tiny pieces so the day before the workshop I thought I'd better do something about it. Luckily I had a couple of vats with recycled pulp up in my shed (and they were'nt TOO smelly) so I made recycled and couched it directly on to the fungus paper and quickly dried it out overnight. I loved the resultant paper.

The fungus I used started like this:-

And ended like this:-

I only took one photo during the workshop of Glen demonstrating the monoprints.

I teastained some of the Hannemuhle I had brought to work on then set about collaging lots of sheets with unbleached tissue paper that I was given at the workshop in Bairnsdale, kozo, my fungus paper, some other plantfibre paper, FDH stamps and cutouts of fungus shapes. I didn't start any printing until late on the first day. I started by using my photographs by cutting out the fungus and using both the positive and negative shapes as both blockout and stamp (not sure what to call that, the photo was covered with ink which was transferred to the collaged paper). A couple of the others in the class had natural materials to print from so I used some of those and some from the garden. The stamping/nature printing was more successful than the blockout printing.
By the end of the second day I had twelve sections of between two and three sheets. I bound them all together into one book but wasn't happy with that so when I got home I cut the binding up and rebound into seven little books of two sections each.

I also decided that they looked a little dirty so decided to add some colour by rusting them. Out came the Ferric sulphate and caustic soda and into the tubs went the little books. I dried them on sheets of cartridge paper which I later bound into books (next post!)

I then made a slip case for the set of books cannibalising one for the lining of the case.

Sydney

Last weekend I went to Sydney to teach my armature workshop to Southern Papermakers and was lucky to stay with Jill again. We went to the opening of 'Art Bound' an artist book exhibition put on by 'Australian Bookbinders Inc', at Gallery Red, Glebe, NSW. There were some great works there AND I got to catch up with Chris, Di and Wendy. Chris was in the class I did at Primrose in March (and again on Saturday); Di shared a table at a workshop given by Sandy Webster at the Geelong Forum a few years ago and Wendy I met for the first time, though we've exchanged pleasantries many times and I was lucky enough to win a piece of hers in the 'One Heart' event earlier this year.

 Preparing the forms from cane.

Making the paper from kozo.

Dipping wire and other forms in the kozo.

workshop two

Afternoon tea at the Windsor for Auntie's 90th birthday, I was meant to take my mum but she wasn't up to it so I got to play ladies!

My book class had the last session on Saturday and we made two needle coptics, here is my example.

The previous week we made flag books from postcards and again here is my example.

I

I used a couple of Alisa Golden's book for the instructions and for inspirational examples.

The participants made some great looking flag books especially from the IAMPA cards. They are quite keen for me to go back and teach Papermaking and another book class.

I have been making a few photo albums lately with 300 gsm Hahnemuhle, here are a few pics of my newest books.

And this is a miniature book work in progress for the Valda Quick Paper Arts Biennial which is to be held at Bundoora Homestead in November.

Lastly, in preparation for a workshop with Glen Skien the weekend after next I went around the garden taking a few photos and found these fungi.

workshop

My Ringwood workshop has been running for two weeks now so we are half way through. The first week we made three oriental books an account book, toji book and a hard cover accordian.

The next week we made one book which was a leather bound through the spine multi section book. These are some examples I made as practice runs before the class.

This week we are doing flag books, here are some pics of one I made a few years ago and an unfinished mockup made with some of the IAPMA promotional postcards that printed badly.

I love the way the flags move when you compress and extend the concertina. I'm also in the process of making a photo album based on the same principal but with the sheets sewn into the concertina rather than glued on.

I'm using some tapa that was given to me recently for the tabs and I plan to use it to line the covers too. I've also been making some small books with the tapa as covers.

I was reminded at Yabbers the other day that I hadn't posted for some time, I must admit I was getting so frustrated with the images and arranging the blog last time that I nearly stopped blogging all together. It seems to have worked better today so maybe I'll be back.