Thursday, February 16, 2017

One Black Box down

As part of our Paper is exhibition we have a black box challenge where we make a work to fit inside the box. My first piece is done.
After two trips over to Bundoora and 7 hours in the valley beater I have some abaca that I am loving. It stretches beautifully over armatures and is almost like velum in appearance and feel.

This piece is Paper is Light and although you can't see in the picture a small battery operated tea light sits inside.


The green in the background and on the wires of the armature is hemp that was my Christmas tree this year.

Wednesday, February 15, 2017

Back on Board

First post for the year and it is almost 7 months since the last. I had a fabulous trip away last September and October travelling to South America, mainly for the IAPMA congress in Brasilia but also to visit Iguassu falls and Machu Picchu among others then it was off to the US to attend a wedding in Boise Idaho. While in the US we visited Yellowstone, the Grand Tetons, The Grand Canyon (only for about an hour, not nearly long enough), three other parks and Las Vegas (about 4 days - too long!)

At the moment I am preparing some works for our Papermakers of Victoria exhibition that is very nearly upon us. As I complete works I'll try to post some images.


Monday, July 18, 2016

Fibre Arts Australia Winter School Collage Workshop

It seems like forever ago but at the start of this month I was fortunate to spend a week working with a group of talented artists from around the world. Our teacher was Cordula Kagemann from Germany and the class was collage diptychs, triptychs and installations (including polyptychs !) 
It was wonderful to have five full days devoted to making art and playing, thank you Cordula and Glenys and team from Fibre Arts Australia.

My works found a home in a corner of our living room
I also needed to find room for the print I got from This Wild Song
project of Ilona Nelson interviewing and photographing Australian women artists.
My portrait is of Polixeni Papapetrou
My pieces in progress
Cordula with our thank you gift
The class on the final night
Each of the eight classes displayed their work on the final night, it was a great display and these are what our class produced.
Top Anne bottom Jeann

Anne's work
Christine's work

my work

Jeann's work

Kaye's work
Lyn's work

Nancy's work

Pamela's work


Monday, April 11, 2016

April and workshop prep

My gelatine printing workshop that is happening in May is already full so we are scheduling another one for August. Check the Papermakers of Victoria website for details. I am also teaching a beginners paper making workshop on the 24th April.

As a result of our T'Arts meeting last month thanks to Lin, I have been trying out some new ideas and have had a lovely play today with some new tools and ideas for gelatine printing.




letter stencil

Cake decorating stencil




Print on greaseproof paper, text written in reverse with shaper tool, spiral cut from laminated paper, pastry brush and picture cut from magazine.
After my last workshop I had a couple of armatures that I had made but instead of covering with gauze and dipping in kozo I decided to use some paper that I made from the hemp and cotton that came from Bangladesh. I love this fibre it recycles so well and the resultant paper is extremely strong.

Bowl1
Bowl with balls (work in progress)
Close up of the balls, each will open to reveal a book.
Book pages to be, pulp painted, the colour is from the coloured sheets
The hemp and cotton paper from Bangladesh thanks to Liz
Other side of the first of the book pages gelatine printed


Thursday, February 18, 2016

Questionnaire and A4 Art

I was recently asked to answer some questions by a student from Ireland and thought I would share them here along with my answers.

How did you become an artist? have you an artistic background?
I sort of fell into it really, my early training was in the sciences but I always did some creative activity with my hands, knitting, crochet, bargello, enamelling, pottery, jewellery making. You name it I tried it! When I discovered paper it just took over.
Which was the first artist book you ever created?
I made quite a large book called 'Lecture Upon a Shadow', it was made from black handmade paper and every second page was an embossing of a body male and female front and back. It incorporated a poem by John Donne that I had printed using my computer then layered it so that it was embedded in the alternate sheets. When I first made it I glued the pages together, I had to come up with a way of spacing the sheets since they had quite a bit of depth. I made a very heavy cover that was hinged and never really sat right. I have since rebound it by sewing it with a soft cover and have turned the heavy cover into a box. 
Lecture Upon a Shadow c1996 Cast recycled paper and embedded digital print

Lecture Upon a Shadow c1996 Cast recycled paper and embedded digital print

Where do you find your inspiration when creating your artist books? 
All over the place, sometimes it is the theme of an exhibition, an idea might sit with me for a while and I'll work on it in my mind and often get the final idea when I'm lying awake in bed!
Do you intend for your books to reflect on you as an artist? 
I guess so, sometimes I have fun with my books but sometimes they can be quite political.
Could you define an artist book in your opinion?
This question! The $1000 question. I like a fairly inclusive definition and could say 'a book made by an artist'. I like to include sculptural book forms and out there interpretations, they don't have to be made of paper they don't even need pages as such or text. I guess they do need to have some sort of narrative and a connection otherwise almost anything could be considered an artist book.
I see you're an artist of many talents, What is the main type of media you like to use? 
My main medium would have to be handmade paper, I get quite excited by the versatility and flexibility of paper as a medium.
Lastly, Have you any advice for me as a young artist about to create my own first artist book?

I would say go for it! It is a great area to work in and I think there is growing interest in the field.

I spent a bit of time yesterday doing gelatine prints for inclusion in the Contemporary Art Society of Victoria A4 Art exhibition that will be shown at Herring Island, a little island in the middle of the Yarra river. The exhibition is open to anyone in Australia and is so easy you just send in up to 4 pieces A4 size and the society frames them all and hangs them in the Gallery on the island. There is still time to enter the works need to reach Richmond by next Friday, I am posting mine today given our new postal system with three classes of mail. There is more info on the CAS website. I am also submitting for the Contemporary by Nature show that is on before the A4.
Here are my Gelatine prints.
Connect 2 on recycled paper with plant fibre

Connect 1 on plant fibre paper

Connect 3 on handmade cotton paper

Connect 4 on handmade cotton paper